![]() So the movie might seem sci-fi and in the future, but it’s something that could happen to us. I’ve seen early demos and first attempts. And body sharing is possible technologically. And in U, you can have the same soul, but maybe other possibilities as if you were having another life. And some of our potential is just dying away. “This is a very special world,” said Hosoda, “because in reality, we have a lot of things that hinder us. U not only offers attractive alternate realities but amplifies powerful emotions. ![]() Mamoru Hosoda, director of “Belle,” at Cannes ![]() Hosoda compares and contrasts the banal girl with her other personality Belle, who is a universal diva the neglected teenager and angry warrior Ryu, and the dull country life and the vital internet. The U algorithm reads each personality and places their essence into their avatar. In real life, Suzu (Kaho Nakamura) is a shy, mousy high-schooler with freckles. And that’s why I decided to lower the violence in the Beast and rather focus on the fragile, sensitive facet of him.”Īnd he places the angry Ryu into the U virtual universe, where he meets Belle, a beauty who has wowed U with her singing prowess. But now, this patriarchy shouldn’t be the main axis of the Beast. “When it comes to the old ‘Beauty and the Beast,’ this male figure is closer to the violence they have within them because they’re also a symbol of the patriarchy because it’s an 18th-century tale. “What I like in the Beast is that you have this duality between his violent side and his fragile side,” the filmmaker said. Hosoda altered Beast to differentiate him from past versions: Ryu (Takeru Satoh) is more “dragon” than hairy mammal. Needless to say, “Belle” updates the two leads. And it’s a very difficult place to live.” “It’s a part of Japan that is dying away. Hosoda updates the 18th-century fairy tale that has spawned countless movie adaptations, from Jean Cocteau’s 1946 black-and-white French classic to the Disney animated musical and its recent live-action remake, with a near-future story that combines “Ready Player One” with “Eighth Grade.” The movie’s naturalistic setting is the filmmaker’s birthplace Kamiichi, a remote western island. “ Belle” could mark the filmmaker’s second animated feature Oscar nomination after “Mirai.” The movie screens October 23 at Hollywood’s Animation Is Film festival before its later Oscar-qualifying GKids release. One of this year’s animated Oscar contenders could be anime veteran Mamoru Hosoda’s dazzling Cannes debut “Belle” (Studio Chizu, GKids), inspired by the French “ Beauty and the Beast” fairy tale, about rural school kids who take on alter egos in a digital universe, based on their strengths and weaknesses.
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